This project is inspired by the work of north american photographer Francesca Woodman. Throughout her work, Woodman explores the human body in deeply intimate and provocative ways; creates a dialogue between presence and absence, between the body and the environment, exploring the female body in an introspective and sometimes disconcerting way. In her own distinctive and vulnerable way, the photographer establishes a visceral connection between her images and those who see them: the intimate, surreal and enigmatic world created by Woodman arouses curiosity, mystery and melancholy in the public. This aspect of the image as a vehicle that takes the subject to an almost tangible experience of human emotions explains the relevance of this artist as a reference in this project.

The photographs in YOU CANNOT SEE ME FROM WHERE I LOOK AT MYSELF are intended to create the atmosphere of solitude and melancholy portrayed in Woodman's photographs. These photographs convey absence and loneliness, with the intention of establishing an impact and a relationship with the audience, going beyond mere contemplation. The character who inhabits these images uses Woodman's words and seems to question herself and the public "I am so vain and I am so masochistic. How can they coexist?"